It didn't matter how many times people clarified the schedule for the funeral arrangements, they never began at the designated time. It wasn't about timing, though. It was about flow. Only when one group assembled could they continue with the next event, and with weather that echoed the widow's eyes, every moment was contingent on the skies. Being three foreign individuals unfamiliar with "the flow," we had to shuffle and scurry across the village to capture the sudden moments that would unfold in front of our eyes.
The funeral days commenced, and the village became a complete organism that moved in harmony with all elements. All we could do was observe and document.
My Bovine Faux Pas
The day Elias returned to the village, the clouds released their girdles and let it all hang out, much like the post-cyclone days of '09. The boys of the village prepared to help truck loads of relatives traverse Namado's cavern, which was slowly being covered with dirt in the first step of building the new bridge. I'm guessing this isn't often said: the Fijian government had good timing in starting this project.
I was rushed to the scene with camera in hand, having been told Elias was approaching and I needed to capture his coffin coming over the dirt bridge. The crowds coagulated on both sides. The dirt turned to mud. Insects feasted on our waterlogged feet. An hour passed, and the only news I heard hinted the truck carrying his body hadn't even made it past the first bridge on its inland journey.
Desperately grasping for timeliness rather than flow, I left the dripping spectators for my weekly call with home. I dangled my feet out of the doorway, phone to ear:
Mom, there is a cow staring at me right now. She's huge and black and standing in the rain. I think she's about to meet her maker. They already killed one cow today. I taped the whole thing. It was thoroughly disturbing.
...I think she knows I'm talking about her. She looks worried.
Having already witnessed one cow's demise that day, I couldn't have been paid to observe the second. Those twenty-five minutes of bone crunching and joint popping made me wonder, "When on Earth would I ever need all this raw footage of a cow slaughtering?"
The children crowded around the camera, one holding an umbrella to cover its weather-weary body and all filling my headphones with snickering and foreign whispers. I'm not sure what I was trying to accomplish by putting a wireless mic on a guy doing the killing. The sounds were beyond the worst from the Texas Chainsaw Massacre.
The most upsetting moment came a few hours later, when I was told to join Garrett in the community hall for a communal meal. As I stood at the threshold, slipping off my flip-flops, Garrett tried to get my attention and persuade me subtly to not enter the room. He knew I would have some hesitation with the meal of cow innards he was working on. Confused, I motioned I'd see what Jackie is doing, but the surrounding boys knew what I was trying to avoid.
We offended them. Abel came running outside to see why I didn't join them, and when he realized what Garrett had hinted, he was thoroughly ashamed. The stress on Abel's shoulders melted into his words, and I felt like the worst guest in the world. Our maneuver wasn't blatant, but the boys knew us well enough by then. I walked away crying, knowing I had let my hosts down in the worst way on the worst day for errors.
I'm no Bourdain or Zimmern. I am far from possessing a truly adventurous palate. To err in this way is among my biggest travel fears.
Elias' Last Hours in the Sun
The village illuminated the Highlands that night. Few eyes rested, as it is tradition to stay awake on the last night with the deceased. I was milked by the day and collapsed in my room to the sounds of singing and bugs buzzing around the lights, while the rest of the community continued to move their minds past shock to acceptance.
In the morning, Abel brought us to the hall again for a communal breakfast of tea and crackers. I sensed some action afoot, grabbed the camera, and poised myself outside the neighbor's house along with everyone else, just in time to see the casket emerged from its woven bamboo walls. Six of our friends hoisted it into the air, grabbing hold by the mat that cradled the entire vessel.
Stopping their procession in the middle of the village, the pallbearers lifted Elias above their heads, and his family and mourners began to bawl, passing under him in what was surely a monumental moment in the entire process.
Something caught in my throat, from behind the camera. I was witnessing a distant culture reveal itself in raw form. The ladies howled, hands atop their fluffed hair, and I shivered under the sweat coating my body. Wow.
The service was long, set to the sounds of belted harmony. A ribbon of people followed the casket from the church to the cemetery. Standing in a cathedral of leaves, we watched the widow and her eight children part with their father, many of their cries hitting high decibels.
Vittorina's body heaved and shook against my legs, as she stepped back and sat, watching her cousins, sons, and nephews lower her husband's body into the ground. Feeling her crouching frame against mine, it was unbearable to imagine the pain encapsulated within the adjacent skin. I cried for her pain, for the unfelt sorrow of her youngest children, and the next funeral I know I'd be soon attending.
And with that, it was over. People left the grave-peppered jungle floor to down more kava.
WARNING: Disturbing visuals of a cow slaughter from 1:39 - 2:15.
Any comments, questions, or anecdotes to share about any experience like this, your's or our's? Please let us know.
